"E' come essere in prigione". La mobilità perduta in Un'ora sola ti vorrei di Alina Marazzi

Marina Nella Guglielmi

First

2021-01-01

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Abstract

The space of the asylum is investigated as a space of relationship between mobility and immobility and contextualized within the panorama of geocritical studies that address the question of the artistic representation of mobility - or its loss. Alina Marazzi's film, A single hour I would like you (Un'ora sola ti vorrei), is the case study presented as an example of the use of the psychiatric hospital as a latent narrative device.