Salvatore Savasta
Il palazzo INA a Iglesias di Enrico Mandolesi. Progetto e costruzione
Antonello Sanna
;Giuseppina Monni
;Fausto Cuboni
;Emanuela Quaquero
2018-01-01
Abstract
The INA complex of Iglesias, at the undisputed time even if declining capital of the mining district of the same name, then the most important national metal pole, testifies the eclectic ability of Mandolesi to conjugate in a flexible and at the same time “demanding” way of building towards the industrialization, which he had set out to drive, and the “artisanal” and often “backward” conditions - however fragmented - that mainly characterized the local expressions. Mandolesi works on a historical fabric: the INA complex belongs to the first addition of the nineteenth century outside the medieval walls of Iglesias. In this strategic knot of the modernization of the city Mandolesi is faced with all the great themes of the moment - the relationship between tradition and innovation, between craftsmanship and industry .... - and takes position without ambiguity but also in a structured way. As a bearer of innovation, he does not take into account any hypothesis of mimicry, but he seems far from unaware of the debate on what will be called “ambientism”. He designs a complex planimetric system composed of three blocks of different heights arranged in C, made by means of the reinforced concrete frame left exposed, the bricks panels in exposed brick bricks, the monobloc fixtures in tubular steel as high as the inter-floor, the built-in loggias, the pavilion roof clad in anticorodal panels. In addition a slight overhang allows a new courtain wall to hide the framed structure with a tight sequence of openings at full height that suggest the different intended use entrusted to the floor.File | Size | Format | |
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