A Poet at Work: The Parody of Helen in the Thesmophoriazusae

NIEDDU, GIAN FRANCO FILIPPO
2004-01-01

Abstract

Moving from the complex and various ways and principles by which parody works, the A. submits this section of the comedy to a precise and detailed analysis which follows step by step the construction of a comic text on the pattern of a tragic text, in order to investigate how the poet, by means of quotations and allusions, cuttings, displacements, shortenings, blendings, omissions, inexpected links and innovations (‘disarranging’ and ‘rearranging’), rewrites his new, parodying text. This way of working is a strong proof that it was just an established use of writing that allowed the comic poet such a complete mastery of a written text intended to be parodied, a fact long denied or passed over by the accepted opinion imposed by oralist theories.
2004
Inglese
44
331
360
30
Esperti anonimi
parodia; commedia/tragedia; uso della scrittura; parody; comedy/tragedy; use of writing
Si tratta di una ricerca innovativa a carattere fortemente specialistico, che affronta un tema (oralità/scrittura) al centro da decenni di un appassionato dibattito internazionale fra gli studiosi dell’antichità greca. “Greek, Roman, and Byzantine Studies” è una rivista di grande autorevolezza e prestigio: si avvale di peer review, è diffusa a livello internazionale ed appare nei primi posti delle classifiche delle riviste del settore. Highly specialized paper which offers an innovative contribution to a matter (orality vs. literacy) which has been in the last decades the subject of a strong international debate by classical scholars. “GRBS” is an authoritative and most influential periodical provided with a scientific board and peer review and enjoys a great international diffusion.
Nieddu, GIAN FRANCO FILIPPO
1.1 Articolo in rivista
info:eu-repo/semantics/article
1 Contributo su Rivista::1.1 Articolo in rivista
262
1
none
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